“Locals” by James Lasdun

They peopled landscapes casually like trees,
being there richly, never having gone there,
and whether clanning in cities or village-thin stands
were reticent as trees with those not born there,
and their fate, like trees, was seldom in their hands.

Others to them were always one of two
evils: the colonist or refugee.
They stared back, half-disdaining us, half-fearing;
inferring from our looks their destiny
as preservation or as clearing.

I envied them. To be local was to know
which team to support: the local team;
where to drop in for a pint with mates: the local;
best of all to feel by birthright welcome
anywhere; be everywhere a local …

Bedouin-Brython-Algonquins; always there
before you; the original prior claim
that made your being anywhere intrusive.
There, doubtless, in Eden before Adam
wiped them out and settled in with Eve.

Whether at home or away, whether kids
playing or saying what they wanted,
or adults chatting, waiting for a bus,
or, in their well-tended graves, the contented dead,
there were always locals, and they were never us.

(From Landscape with Chainsaw, 2001.)

“Sonnet XVI: To the Lord General Cromwell” by John Milton

Cromwell, our chief of men, who through a cloud
Not of war only, but detractions rude,
Guided by faith and matchless fortitude,
To peace and truth thy glorious way hast plough’d,

And on the neck of crowned Fortune proud
Hast rear’d God’s trophies, and his work pursu’d,
While Darwen stream with blood of Scots imbru’d,
And Dunbar field, resounds thy praises loud,

And Worcester’s laureate wreath; yet much remains
To conquer still: peace hath her victories
No less renown’d than war. New foes arise

Threat’ning to bind our souls with secular chains:
Help us to save free Conscience from the paw
Of hireling wolves whose gospel is their maw.

John Milton is 400 years old this year, eternally speaking, and Stanley Fish writes about why Milton is such a superior poet.  It is important to note, while reading Fish’s encomium, that Milton was a Puritan.

Rather than being employed for its own sake, [Milton’s] poetry is always in the service of ideas and moral commitments, and it is always demanding that its readers measure themselves against the judgments it repeatedly makes - judgments about the nature of virtue, about the proper mode of civil and domestic behavior, about the true shape of heroism, about the self-parodying bluster of military action, about the criteria of aesthetic excellence, about the uses of leisure, about one’s duties to man and God, about the scope and limitations of reason, about the primacy of faith, about everything.

Of course, the quality of his work transcended merely Puritan concerns, which is what makes it so lasting, and some to which all Christian writers should aspire.  You can read some of his poems here, and I’ll post one in just a few minutes.

“The Logical Vegetarian” by G.K. Chesterton

You will find me drinking rum,
Like a sailor in a slum,
You will find me drinking beer like a Bavarian
You will find me drinking gin
In the lowest kind of inn
Because I am a rigid Vegetarian.

So I cleared the inn of wine,
And I tried to climb the sign,
And I tried to hail the constable as “Marion.”
But he said I couldn’t speak,
And he bowled me to the Beak
Because I was a Happy Vegetarian.

Oh, I know a Doctor Gluck,
And his nose it had a hook,
And his attitudes were anything but Aryan;
So I gave him all the pork
That I had, upon a fork
Because I am myself a Vegetarian.

I am silent in the Club,
I am silent in the pub.,
I am silent on a bally peak in Darien;
For I stuff away for life
Shoving peas in with a knife,
Because I am a rigid Vegetarian.

No more the milk of cows
Shall pollute my private house
Than the milk of the wild mares of the Barbarian
I will stick to port and sherry,
For they are so very, very,
So very, very, very, Vegetarian.

“Songs of Education: For the Creche” by G.K. Chesterton

Form 8277059, Sub-Section K

I remember my mother, the day that we met,
A thing I shall never entirely forget;
And I toy with the fancy that, young as I am,
I should know her again if we met in a tram.
But mother is happy in turning a crank
That increases the balance in somebody’s bank;
And I feel satisfaction that mother is free
From the sinister task of attending to me.

They have brightened our room, that is spacious and cool,
With diagrams used in the Idiot School,
And Books for the Blind that will teach us to see;
But mother is happy, for mother is free.
For mother is dancing up forty-eight floors,
For love of the Leeds International Stores,
And the flame of that faith might perhaps have grown cold,
With the care of a baby of seven weeks old.

For mother is happy in greasing a wheel
For somebody else, who is cornering Steel;
And though our one meeting was not very long,
She took the occasion to sing me this song:
“O, hush thee, my baby, the time will soon come
When thy sleep will be broken with hooting and hum;
There are handles want turning and turning all day,
And knobs to be pressed in the usual way;

O, hush thee, my baby, take rest while I croon,
For Progress comes early, and Freedom too soon.”

“The Lowering” by May Swenson

Arlington Cemetery
June 8, 1968

The flag is folded
lengthwise, and lengthwise again,
folding toward the open edge,
so that the union of stars on the blue
field remains outward in full view;
a triangular folding is then begun
at the striped end,
by bringing the corner of the folded edge
to the open edge;
the outer point, turned inward along the open edge,
forms the next triangular fold:
the folding continued so, until the end is reached,
the final corner tucked between
the folds of the blue union,
the form of the folded flag is found to resemble that
of a 3-cornered pouch, or thick cocked hat.

Take this flag, John Glenn, instead of a friend;
instead of a brother, Edward Kennedy, take this flag;
instead of a father, Joe Kennedy, take this flag;
this flag instead of a husband, Ethel Kennedy, take this flag;
this 9-times-folded red-white-striped, star-spotted-blue flag,
tucked and pocketed neatly,
Nation, instead of a leader, take this folded flag.
Robert Kennedy, coffin without coverlet,
beside this hole in the grass,
beside your brother, John Kennedy,
in the grass,
take, instead of a country,
this folded flag;
Robert Kennedy, take this
hole in the grass.

(from New and Selected Things Taking Place, 1978)

“The World State” by G.K. Chesterton

Oh, how I love Humanity
With love so pure and pringlish,
And how I hate the horrid French,
Who never will be English!

The International Idea,
The largest and the clearest,
Is welding all the nations now,
Except the one that’s nearest.

This compromise has long been known,
This scheme of partial pardons,
In ethical societies
And small suburban gardens —

The villas and the chapels where
I learned with little labour
The way to love my fellow-man
And hate my next-door neighbour.

(From Collected Poems, 1927)

“Written on the eve of my 20th high school reunion, which I was not able to attend” by A.E. Stallings

For the Briarcliff High School class of 1986

Just what I needed,
Just when the dreams had almost totally receded,

The dreams of roles for which I learned no lines and knew no cues,
Dreams of pop quizzes with no pants on and no shoes,

Just when I understood I was no longer among
Those ephemeral immortals, the gauche and pitiable young,

Suddenly come phone calls, messages sift out of the air
To ask who will be there:

Names I haven’t given a thought to in a score
(A score!) of years, and names I used to think about but don’t much anymore,

And those I think of all the time and yet
Have lost somehow like keys to doors I’ve closed, and some I have tried to forget—

And some who will never arrive at this date
Here in the distant future where we wait

Still surprised at how
We carry with us the omnipresent and ever-changing now.

We wince at what we used to wear,
Fashion has made ridiculous the high hubris of our hair.

Heartbreak, looked at through the wrong end of distance’s glasses,
Is trivial, and quickly passes,

Its purity embarrasses us, its lust,
The way we wept because it was unjust.

Why should we travel back, who’ve come so far—
We know who we are.

How can we be the same
As those quaint ancestors we have left behind, who share our name—

Why have we inherited their shame?

(From Poetry, June 2008).

“A Lecture upon the Shadow” by John Donne

Stand still, and I will read to thee
A lecture, love, in love’s philosophy.
These three hours that we have spent,
Walking here, two shadows went
Along with us, which we ourselves produc’d.
But, now the sun is just above our head,
We do those shadows tread,
And to brave clearness all things are reduc’d.
So whilst our infant loves did grow,
Disguises did, and shadows, flow
From us, and our cares; but now ’tis not so.
That love has not attain’d the high’st degree,
Which is still diligent lest others see.

Except our loves at this noon stay,
We shall new shadows make the other way.
As the first were made to blind
Others, these which come behind
Will work upon ourselves, and blind our eyes.
If our loves faint, and westwardly decline,
To me thou, falsely, thine,
And I to thee mine actions shall disguise.
The morning shadows wear away,
But these grow longer all the day;
But oh, love’s day is short, if love decay.
Love is a growing, or full constant light,
And his first minute, after noon, is night.

“Lesson” by by Robin Robertson

The green leaf opens and the leaf falls,

each breath is a flame
that gives in to fire;

and grief is the price
we pay for love,

and the death of love
the fee of all desire.

(From The Atlantic Monthly, June 2008)